Abstract:
There is a growing trend to design buildings with colourful and dynamic outer skins through the integration
of digital media tools, particularly LED systems. Discussing the intersection of media, technology, art, and
architecture in recent conferences under the term “media façade”, this field introduces a new form of
communication platform, urban space and public perception, which can be viewed through the perspective of
Guy Debord’s “The Society of the Spectacle” and Jean Baudrillard’s “sign value” concept. Proceeding from
the idea that a façade is a communication tool, the paper compares what Adolf Behne in the early 20th
century termed as “advertising architecture” with the current “media façade”. Venturi’s comparison of
Gothic cathedrals to billboards of the Las Vegas Strip in the 1970s applies today to the “Media Building” in
Paul Virilio’s discussion of the digital age, where the information is active and interactive. This paper
considers the façades with attached signs, signboards and billboards as a continuation of advertising
architecture, in contrast to the media façade examples with integrated digital media tools that are inbuilt to
the design. Three cases are selected for discussing the advantages and disadvantages of media façades, under
the following titles: communication, ornamentation, flexibility, ephemerality, sustainability, and location. It
is observed that the new relation between digital media and architecture not only initiates a new kind of
communication platform, but also indicates the emergence and proliferation of a potential propaganda tool.
To this end, the guidance of a social control mechanism for the applications of media façades is suggested.
