Abstract:
This thesis takes inspiration from the connection between architecture and the performing arts. It explores the relationship between body movement and architectural space through the analysis of the ballet "Giselle." By integrating elements of architecture, dance, design theory, and digital arts, the aim is to evaluate whether current spatial design standards sufficiently accommodate diverse movements, analyzing this by making additions to the already used methods in studying movement and spatial organization. The methodology involves an analysis of "Giselle" performances using motion capture technology and 3D modeling. This approach is compared with traditional movement notation systems like Laban Movement Analysis and Benesh Movement Notation. The integration of motion capture provides precise, real-time data, offering a deeper understanding of how different spatial environments impact dance movements. The findings reveal differences in movement dynamics between traditional theater settings and open, obstacle-free spaces. Interviews with dancers provide qualitative insights, reinforcing the quantitative data. The results underscore the importance of designing flexible and adaptable spaces that can accommodate a wide range of movements and activities. Overall, this research contributes to a deeper understanding of the interplay between architecture and the performing arts, offering new possibilities for innovative and responsive design solutions that enhance human movement and experience.
